Flemish Baroque Era Painter, ca.1570-C.1619 Related Paintings of GRIMMER, Jacob :. | paper on cardboard | Claude Bernheim de Villers | Croquet | Solomon,with the Queen of Sheba and their minister Asaph | Portrait of Victoire Pauline de Riquet de Caraman (1764-1834), wife of Jean Louis, Vicomte de Vaudreuil (1763-1816) | Related Artists:
William Wendt1865-1946
Wendt believed there are philosophical, metaphysical, and theological foundations as to why humankind creates Art. Art becomes a sign in itself that points ultimately towards higher realities than the art object or process manifests in and through itself, courtesy of the artist's knowledge and free-will. Art is an adoration symbol that links the reality of the artist's vision and dream-state to the principles that are nature. Wendt decades in front of nature.
William Wendt found a California at the close of the 19th century which is now lost forever due to the effects of industrialism, consumerism and population density.
Wendt believed nature was a manifestation of God, and he viewed himself as nature's faithful interpreter.
Thom Gianetto of Edenhurst Gallery, Los Angeles, is a specialist in William Wendt.
charles emile callande1797-183
Charles-Emile-Callande de Champmartin (Bourges, 1797 -Paris,1883) was a French painter.
His numerous portraits, historical and religious pictures were very popular.
Jan WeenixDutch Baroque Era Painter ,
Amsterdam 1640/42-1719
Painter and draughtsman, son of (1) Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague.